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Marcia
Lyons
www.critical-mas.tv
www.artcritical.com/studiovisit/SWLyons.htm
www.mediartspace.cornell.edu
Marcia Lyons is an experimental media-maker interested
in developing a synthesis between traditional media and
digital processes. She is the former head of Digital Media
Fine Arts at Cornell University and producer and CEO of
CRITICAL+MAS. TV,
an online multimedia art showcase of multimedia art.
Lyons uses computer programming to create DVD paintings
that are shown on plasma screens. One such work, Liquid
Fiction (2002-2003), generates self-propagating growth forms.
A recipient of the Rome Prize and National Endowment of
the Arts awards, Lyons has exhibited widely in the United
States and Europe. She served as director of MEDIAARTSPACE,
a live broadcast curatorial crossing of media arts projects
from the MFA program at Cornell. Alexandre de Folin Gallery
in New York, where a series of seeded bodies was recently
shown, represents her. She currently divides her time between
her lab in Ithaca, New York and her studio in New York City.
Lecture:
DOING THE MATH: Skinning a Space
Wednesday, Feb. 25 at 12:30 p.m. in Langford C105
Lyons will explore the use of multi-media, video, animation
and motion graphics to generate, develop, refine and represent
vibe interiors, the impulse that is the locus of her work.
Creating what she calls rejuvenative treatments, or surface
treatments for interiors, Lyons said she is drawn to the
concept of a feeling space. By combining painting
concepts with cinema experience for projection on architectural
surfaces the artist said she could choose a background to
her foreground.
"I believe that light, tone and color have effects
on our well being in contemporary life, said Lyons. More
choice allows the viewer to experience more, a new alternative
living style."
Workshop:
Feeling a Space: Future Inhabitable Walls
Lyons workshop will allow participating artists to become
more aware of their own sensibilities through new media
through the projection of what Lyons calls life size visual
essentials. The artists will combine images and sound with
software and video/camera notations, then integrate these
components into visually cued wall surfaces.
The workshop will also consider counterintuitive form by
examining the relationship between surface experience and
inner sensation. Students work will be broadcast as a curatorial
project on CRITICAL+MAS.TV.
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